Box 9
Container
Restricted
Contains 15 Results:
Correspondence Undated
File — Box: 9, Folder: 1
Scope and Content Note
From the collection:
The Irene Corey Papers consist primarily of materials documenting Corey's work as a makeup artist and theatrical designer, including her work on such well-known plays as The Book of Job and The Tempest and her two books, The Mask of Reality (1968) and The Face is a Canvas (1990). Also included are costume and prop pieces, correspondence, items showing...
Dates:
Undated
The Minutes of the Last Meeting by Robert Canzoneri Undated
File — Box: 9, Folder: 2
Scope and Content Note
From the collection:
The Irene Corey Papers consist primarily of materials documenting Corey's work as a makeup artist and theatrical designer, including her work on such well-known plays as The Book of Job and The Tempest and her two books, The Mask of Reality (1968) and The Face is a Canvas (1990). Also included are costume and prop pieces, correspondence, items showing...
Dates:
Undated
Picture of Jack Undated
File — Box: 9, Folder: 3
Scope and Contents
Photograph depicts a man playing a guitar and is inscribed to Irene and John.
Dates:
Undated
Correspondence to Irene Corey 1950, 1960-1989, 1996
File — Box: 9, Folder: 4
Scope and Content Note
From the collection:
The Irene Corey Papers consist primarily of materials documenting Corey's work as a makeup artist and theatrical designer, including her work on such well-known plays as The Book of Job and The Tempest and her two books, The Mask of Reality (1968) and The Face is a Canvas (1990). Also included are costume and prop pieces, correspondence, items showing...
Dates:
1950, 1960-1989, 1996
Correspondence between Irene Corey and Sara Spencer 1966-1974
File — Box: 9, Folder: 5
Scope and Content Note
From the collection:
The Irene Corey Papers consist primarily of materials documenting Corey's work as a makeup artist and theatrical designer, including her work on such well-known plays as The Book of Job and The Tempest and her two books, The Mask of Reality (1968) and The Face is a Canvas (1990). Also included are costume and prop pieces, correspondence, items showing...
Dates:
1966-1974
Correspondence between Irene and Orlin Corey 1973-1987
File — Box: 9, Folder: 6
Scope and Content Note
From the collection:
The Irene Corey Papers consist primarily of materials documenting Corey's work as a makeup artist and theatrical designer, including her work on such well-known plays as The Book of Job and The Tempest and her two books, The Mask of Reality (1968) and The Face is a Canvas (1990). Also included are costume and prop pieces, correspondence, items showing...
Dates:
1973-1987
Correspondence Regarding a Production of The Book of Job 1973
File — Box: 9, Folder: 7
Scope and Contents
Includes letter from Sara Spencer. Irene Corey did not design this production.
Dates:
1973
Correspondence Regarding Slide Mailings 1976-1981
File — Box: 9, Folder: 8
Scope and Content Note
From the collection:
The Irene Corey Papers consist primarily of materials documenting Corey's work as a makeup artist and theatrical designer, including her work on such well-known plays as The Book of Job and The Tempest and her two books, The Mask of Reality (1968) and The Face is a Canvas (1990). Also included are costume and prop pieces, correspondence, items showing...
Dates:
1976-1981
Letter and Photographs Regarding a Production of The Butterfly not Designed by Irene 1976 October 17
File — Box: 9, Folder: 9
Scope and Content Note
From the collection:
The Irene Corey Papers consist primarily of materials documenting Corey's work as a makeup artist and theatrical designer, including her work on such well-known plays as The Book of Job and The Tempest and her two books, The Mask of Reality (1968) and The Face is a Canvas (1990). Also included are costume and prop pieces, correspondence, items showing...
Dates:
1976 October 17
Correspondence Regarding Using Photographs of Irene's Designs in Publications 1977-1986
File — Box: 9, Folder: 10
Scope and Content Note
From the collection:
The Irene Corey Papers consist primarily of materials documenting Corey's work as a makeup artist and theatrical designer, including her work on such well-known plays as The Book of Job and The Tempest and her two books, The Mask of Reality (1968) and The Face is a Canvas (1990). Also included are costume and prop pieces, correspondence, items showing...
Dates:
1977-1986