Arizona State University. Libraries. Department of Archives and Special Collections

This artificial collection houses images showing Arizona State University buildings and campus scenes, including photographs of architectural drawings, groundbreakings, construction, dedications, and interiors.

This artificial collection houses images of all academic and non-academic divisions of the University, including affiliated organizations. Formal division names are inverted so that they can be arranged by subject.

This artificial collection houses images not part of the larger Arizona State University Photography Collection subject groupings (Athletics, Buildings and Grounds, Divisions, and Portraits).

This artificial collection houses class group portraits (1922-1958), faculty and staff group portraits, student groups, and individuals.

This artificial collection houses photographs depicting Arizona State University students, faculty, staff, and facilities. Among the subjects shown are the Arizona State University and Tempe Normal School campuses, the basketball and football teams, Joel and Irene Benedict, Pope John Paul II's visit to Tempe, and Dr. Harry E. Wood with his art.

This artificial collection houses 18 photographs depicting a variety of views around Arizona, including cliff dwellings at the Tonto National Monument; men loading hay onto a wagon; views of Fort Whipple, Phoenix, Prescott, Bisbee, Globe, and Kingman; Lewis B. Taylor's Monte Vista Grocery and gas station; the headquarters mess at the U.S. Reclamation Service Salt River Project; a landscape including prickly pear and saguaro cacti; and a trotting horse pulling a child in a carriage.

This artificial collection houses commercial photographs taken in Arizona during the late 19th and early 20th centuries. Among the subjects depicted are Lindsay's Garden in Prescott; the interior of the Arizona Laundry; a young boy with a donkey pulling a toy wagon by Buehman & Hartwell; and a mosaic view of retail buildings in Tempe titled Tempe Illustrated.

This artificial collection houses studio portraits of Native Americans taken by Ben Wittick and Camillus S. Fly; a Moquis [Hopi] photographed by C. W. Carter, and a stereograph street scene with a stagecoach in front of the Colorado Hotel in Yuma published by the Continent Stereoscopic Company.

This artificial collection includes survey photography for the Atlantic and Pacific Railroad bearing Isaiah Taber's studio mark (possibly photographed by Carleton Watkins); a view of a saguaro cactus photographed by C. Osborn; and view of a waterfall photographed by Edwin Baer.

This artificial collection contains 45 sterographs, 8 boudoir, 4 cabinet, 3 cartes-de-visite, and 8 other photographic prints dating from the nineteenth century. Among the subjects depicted are the Grand Canyon, the Petrified Forest, and other scenic landscapes; Native Americans, pueblos, and ruins; buildings and street scenes in Tucson, Prescott, and other cities; and mining and mining communities.